By the United States Theatre Project. Written by Stephen Karam and PJ Paparelli. Dramaturgy by Patricia Hersch. Conceived by PJ Paparelli.
Product Code: CD7000
Full-length Play
Drama
Cast size: 5m., 3w.
This title can be licensed and sold throughout the World.
* Please note the royalty rate listed is the minimum royalty rate per performance. The actual royalty rate will be determined upon completion of a royalty application.
columbinus, a play sparked by the April 1999 massacre at Columbine High School in Littleton, Colo., is a meeting of fact and fiction that illuminates the realities of adolescent culture by exploring the events surrounding the shootings. The play weaves together excerpts from discussions with parents, survivors and community leaders in Littleton as well as police evidence to bring to light the dark recesses of American adolescence. When columbinus premiered in 2005 at the Round House Theatre, Peter Marks of the Washington Post called it, "An ambitious examination of the suburbanization of evil," and the play went on to receive five Helen Hayes Award nominations including the Charles MacArthur Award for Outstanding New Play. Following the off-Broadway opening at New York Theatre Workshop one year later, Variety proclaimed: "This one comes straight from the gut—a wrenching return to the 1999 massacre at Columbine High School in which 12 students and a teacher were killed when two senior classmates went on a shooting rampage. The United States Theatre Project's smart and sensitive treatment of the event, which traumatized a suburban Colorado community and shocked the entire country, stirs up thought and feeling in this clean ensemble production, drawn from interviews, public records and the private diaries of the shooters."
This examination of the ecosphere of the average American high school presents an anonymous portrait of high school life in the fictionalized first act, before focusing in detail on the devastating events at Columbine in the second. columbinus probes the psychological warfare of alienation, hostility, and social pressure that goes on in high schools across America.
... Columbinus weaves together excerpts from discussions with parents, survivors and community leaders in Littleton as well as diaries and home video footage to bring to light the dark recesses of American adolescence.
The technical elements for this show are quite heavy. The amount of cues makes it similar to putting on a musical. This is also a true ensemble piece!
Don't get caught up in the literal staging. Be creative. There is much room for interpretation within the text, while still remaining faithful to the authors vision and intent.
Ensure that you have proper resources and support systems available to navigate your actors and artistic team through this challenging and potentially triggering material and content.
Don't fall into the traps of making Dylan and Eric the absolute enemy. Humanize, make them real, show their vulnerability!
"An unnerving study in adolescent angst, columbinus relentlessly paints a bold picture that bears witnessing … it merges the facts of the Columbine massacre with a harrowing impression of what life is like in high schools today." -Star-Ledger
"A powerful and important piece about the churning rage that's all too likely to bubble over again one day." -New York Post
"Mr. Karam and Mr. Paparelli have captured authentic notes of adolescent anxiety and yearning in briskly drawn scenes." -The New York Times
"This one comes right from the gut … highly theatrical and deeply disturbing." -Variety
“What’s most powerful in this show … is that we see the degrees of alienation, insecurity and rage that lives in some degree in all the kids we meet.” —Chicago Tribune
Andrew Benvenuti, The Drama Club, NYC, N.Y.